Madhubala's mother feared ostracism if they allowed their young daughter to work in the entertainment industry, but Khan remained adamant. Khan's decision changed in 1940 after he got fired from the employee company for misbehaving with a senior officer. In spite of her conservative upbringing, she aimed to become a film actor-which her father strictly disapproved of.
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An avid movie viewer since the beginning, she used to perform her favourite scenes in front of her mother and spend her time dancing and imitating film characters to entertain herself. Madhubala nevertheless learnt Urdu, Hindi as well as her native language, Pashto, under her father's guidance. Owing to the orthodox ideas of their Muslim father, neither Madhubala nor any of her sisters except Zahida attended school. Madhubala spent most of her childhood in Delhi and grew up without any kind of health issues. Unknown to her family members, Madhubala was born with a ventricular septal defect, a congenital heart disorder which had no treatment at the time. Khan was an employee in Imperial Tabacco Company. She was the fifth of eleven children and at least four of Madhubala's siblings died as infants her sisters who survived until adulthood were Kaneez Fatima (born 1925), Altaf (born 1930), Chanchal (born 1934) and Zahida (born 1949). Madhubala was born as Mumtaz Jehan Begum Dehlavi in Delhi, Punjab Province, British India, on 14th February, 1933 into a Muslim family of Pashtun descent of the Yusufzai tribe, from the Peshawar valley of the North West Frontier Province to parents Ataullah Khan and Aayesha Begum. Since the beginning of her thirties, she suffered from recurring bouts of breathlessness and hemoptysis caused by a ventricular septal defect, ultimately leading to her death at the age of 36. Additionally, she produced three films under her production house Madhubala Private Ltd., which was co-founded by her in 1953.ĭespite maintaining strong privacy, Madhubala earned significant media coverage for her extensive philanthropic work, and for her relationships with actor Dilip Kumar, which lasted seven years, and with actor-singer Kishore Kumar, whom she eventually married in 1960. She worked sporadically in film in the 1960s, making her final appearance in the drama Sharabi (1964). Madhubala's portrayal of Anarkali in the historical epic drama Mughal-e-Azam (1960)-the highest-grossing film in India at that point of time-earned her widespread acclaim and a nomination for a Filmfare award in Best Actress category her performance has since been described by critics as one of the finest in Indian cinematic history. '55 (1955), Chalti Ka Naam Gaadi (1958) and Half Ticket (1962), the crime films Howrah Bridge and Kala Pani (both 1958), and the musical Barsaat Ki Raat (1960). Following a brief setback, Madhubala rose to international prominence with her roles in the comedies Mr. She progressed to leading roles in late 1940s, and earned success with the dramas Neel Kamal (1947) and Amar (1954), the horror film Mahal (1949), and the romantic films Badal (1951) and Tarana (1951). In 2008, the results of an Outlook poll listed her as the most celebrated actress in Bollywood's history.īorn and raised in Delhi, Madhubala relocated to Bombay with her family when she was eight years old and shortly after appeared in minor roles in a number of films. Among India's most popular and highest-paid entertainers during the 1950s, Madhubala was active in film for two decades and played roles in more than 70 motion pictures, ranging from epic dramas to social comedies. Madhubala (born Mumtaz Jehan Begum Dehlavi 14 February 1933 – 23 February 1969) was an Indian actress and producer, who was known for her portrayals of strong-willed and independent characters, which have been noted by critics for marking a significant departure from the preceding depictions of women in Hindi cinema.
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